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Featured LASS Scripts. Auto Arranger — a feature exclusive to LA Scoring Strings that allows you to play chords and polyphonic legato lines and phrasesall the while splitting your chords into divisi sections or different instruments sections and maintaining an accurate player count. This can be a huge time-saver as well as a VERY inspirational composing tool. LASS Real Legato — REAL legato performance samples — meticulously programmed and scripted for. non-repetitive legato transitions and real-time control of legato articulations. A.R.T.
(Auto Rhythm Tool) — an advanced (yet simple to use) rhythm and accents script with humanization features. Trill Script — the script intelligently triggers trills diatonically in any key with just 1 Key Switch. Delay and Humanization — add delay and randomization to the timing of note playback. CC Table — allows you to create your own volume curves for sustain and legato patches. A.M.G.
— Anti Machine Gun. Triggers alternate samples to avoid sample repetition. Tuning Tool — allows you to create your own tuning table and add tuning randomization to patches.Sample screenshot of LASS Real LegatoSample screenshot of A.R.T. (Auto Rhythm Tool). Registered forum users click here to accessAll patches now have full access to all user controllable scripts via tabs on front panel.
What’s New in LASS 2.5?Sample screenshot of LASS 2’s Stage & Color featureWe are very excited to announce the LASS Full 2.5 update.Watch our “” video. LASS 2.5 OverviewLA Scoring Strings 2.5 (LASS) brings you a whole new set of tools and revised sonic profiles providing a new level of expressiveness, realism, real-time playability and program-ability to sampled strings. We updated and improved all our Sonic Profile Colors to yield a higher fidelity than before. Every preset was recreated from scratch using our most advanced technology.
New LASS 2 PatchesThere are over 85 new patches (compared to LASS 1) covering new articulations in LASS 2.5 ( see below), and ALL LASS 2.5 patches have been reworked to integrate with the (with the exception of Marcato Patches) Aleatoric PatchesIn case your wondering, “aleatoric strings” is a term often used in film-scoring to describe string sounds that have randomness and dissonance that can heighten the tension and drama in a scene. LASS’s Aleatoric patches allow users to perform (in real-time) these types of dissonant string effects that are so sought after in film scores. By assigning the different divisis to a patch and allowing for individual control of tuning and modulation, you are able to create many varieties of dissonant strings while maintaining control of how it reacts over time. These patches are included for all sections (violins, violas, cellos and basses) in a variety of articulations: Sustains, Tremolos, Trills. Non-Vibrato to Vibrato (NV-Vib) PatchesLASS’s new Legato patches are much more powerful than before. Not only do these patches play non-vibrato and vibrato legato, portamento and glissando articulations, but they also allow you to vary the amount of vibrato in real-time completely transparently via CC2. Furthermore, when you no longer need the NV-Vib functionality, you can simply “turn off” the NV-Vib mode w ithout purging your samples thereby saving you polyphony.We have also included a CC Attenuation knob to all legato patches.
This allows you to reduce the dynamics of a passage by turning the knob down (even remotely via CC). This is useful if you like your dynamics but you just want to lower them by a certain percentage. Features:. Consolidated legato patches. Realtime Loading/Purging of Legato Transitions. Realtime Loading/Purging of NV/Vib.
Auto Arranger quick on/off control added. Intelligent Legato Trill PatchesLASS’s new Legato Trill patches are smart. With a key switch (dictating the key of your piece) you can perform diatonic trills whereby, when you play a new trill note, the transition to that trill note can be either a legato, portamento or glissando transition.Legato Tremolo PatchesLASS’s new Tremolo Legato patches allow you to play tremolo lines with legato, portamento and glissando transitions. These patches look similar to the other Real Legato patches as seen above. Updated A.R.T. PatchesAside from being 100% integrated with the ARC, LASS 2’s new A.R.T.
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Patches include several new performance features including real-time Quantization and a Retrigger/Continuous mode. Retrigger and Continuous modes — newly played notes retrigger the start of the rhythm pattern or they continue on and “join” the other notes at the same spot in the rhythm pattern. Quantize — a new approach to quantizing where only notes outside of the user defined note value are quantized. This allows the user to retain the human feel. Of course one can 100% quantize the notes. LASS 2.0 Script UpdatesAll of the LASS 2 scripts have been updated to integrate with the ARC so that you can control all of LASS’s important features remotely from one centralized window. No more having to scroll through all the patches to apply changes you need.
This is both a big time saver and can be inspiring. How many times do people abandon good ideas simply because they are too time consuming to execute?! Well this is where ARC integration saves you time.Before LASS 2, if you wanted to change the non-performance settings on multiple patches, you would have to make those changes on a per-patch basis. The Tuning Tool script (now controllable from the ARC’s ) has the following features:. Complete script redesign. Tonal morphing using assignable Tuning CC. Deep integration with the ARC so now you can apply changes to batches of instruments in 1 place.
The Tuning Tool script is now has a Range Tuning and Micro Tuning mode. Tuning expanded up to +/- min 3rd (300 cents). Save/Load tuning presets to/from disk. Table Shifter added. Automatic key coloring. A new Tuning Amt knob allows you to assign a CC to change the tuning amount in real-time.
This allow for dissonant string effects on every patch. Micro Tuning is lets you chose different tuning for each note in an octave and then assigned those tunings across the entire range of the instrument. The CC Table script (now controllable from the ARC’s ) has the following features:. Deep integration with the ARC so now you can apply changes to batches of instruments in 1 place. The CC Table script is now accessible from the front panel of the patch. There are now 10 user presets for you own dynamic layer and volume curves.
The default curve will never be lost.There is a knob that will allow you to choose from different curves (Fig 5). There is a smoothing knob that will even out any jagged table artifacts if you draw them in that way by accident.
System Specifications for LASS FullLibrary Size:. 16.4 GB with loss-less compressed audio files (approximately 24 GB uncompressed)Software Requirements:. Requires Kontakt Player 5.2 or later.Supported Interfaces:. Stand-alone, VST®, Audio Units™, RTAS®, ASIO™, Core Audio™, DirectSound™, WASAPI™, AAX1®, AAX2®Minimum System Requirements:. Windows — Windows 7 or Windows 8 (latest Service Pack, 32/64 Bit), Intel Core Duo or AMD Athlon 64 X2, 2 GB RAM (over 4 GB recommended – the more RAM, the better!).
La Scoring Strings
Windows XP is no longer supported. Mac — Mac OS X 10.7 or 10.8 (latest update), Intel Core 2 Duo, 2 GB RAM (over 4 GB recommended – the more RAM, the better!). Note: Mac 10.6.8 users are telling us Kontakt 5.2 (and therefore LASS 2.5) works on their system although it is no longer officially supported by Native Instruments.